Don’t take this the wrong way, but what could you know about voodoo? That’s not yours to know. Try some other things first: take the train, go out to eat. Grow something good. That’s how you do it. That’s how you stay apposite. My apologies for the rude awakening. Someone needed to tell you.
They say that magic is dead once you hit the city. That’s not true; it just goes to the wires. It’s not voodoo; it’s vodou. Rose magic; dark devil. Your own people are cutting you up, selling parts of you in the window next to other southern cuts. But they’re not red, and that’s what matters, that’s what gets the flag of the righteous flying, anointing the butchering of other racks of lamb.
The magic is there in the wires; look: the fuzzy television, the sound between stations, the shock when you touch an outlet. Others can call it what they like: empty frequency or an abundance of the thing, life, electricity. It’s all the same—it’s all that thing which makes plants grow, the phosphorous in the soil you came from.
You polish the silver while your neighbors go missing. First the children, then their parents, then the rest. It’s not about you, it’s nothing to do with you. The asphalt’s hot, but you’ve got to go barefoot to get anywhere at all. Your feet bleed in the evenings, so you wrap old cloth around them until the red shows through—straight through—like holding your hand up to the bare light. The stronger plants are starting to sag under their colossal potential, exceeding their natural limits, so you have to start snapping some matches to prop them up again. When they, too, break, you have to start all over. More matches. More weight. More of the familiar rotation of your thumb in the dip of the spoon. It’s not you. It’s nothing to do with you.
You used to wake to the incessant birds, but now you wake to nothing, really; their throats were slit, their song bled out. With them gone, what are we left with? The noiseless wind, the waves breaking on another shore. The taste of dirt in your mouth, always stuck under calcified scales.
Then there’s the theory on broken windows: if a neighborhood has one, the residents will break the rest. When you open your curtains, the room doesn’t get any brighter. When you’re down there, you stay down there. The dirt is your bed, your bread, your butter. When the white god calls, you have no choice but to answer because at least it’s help, even if the birds are gone and the water has all run black. Rose magic; dark devil.
You sit in a white plastic chair with your feet propped up on the flipped garbage can, watching empty streets and listening for the faraway sound of the car that never comes. The trashmen stopped weeks ago, and now your lawn is litter. The matches have snapped and there’s no one left to ask for more. Your feet are red, the light shining through.
Your neighbors; children first, adults later, then the rest. We put them in a different dirt, a different bed, gave them different bread, different butter. They live with us, so we tell them there’s no magic anymore, but that doesn’t mean it isn’t there.
It’s all the same—it’s all that thing which makes plants grow, rich in that inexplicable phosphoric life, with the smell of boiling urine because that’s what you’re down to now. Look: the litter lawn, the hot street, the light shining through. Look: in the iron rails, in the sound on the streets, in the overgrowth of the green around you. The gum tarred to the sidewalk, the noise of birds, the blue above and the metal below. Look and weep: your bones, your hands, it’s nothing, were nothing, are only eggshells. Keep your feet up. The magic is there.